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Gluck's Orpheus & Eurydice will be staged in Melbourne in 2025. Pictured are the Opera Australia Chorus and Circa in Opera Australia's 2024 production of Orpheus & Eurydice.
Features

ArtsHub’s 2025 season guide to the performing arts

Our rolling guide to the season announcements you may have missed.

two young women playing a guitar.
Features

Women leading the return of the guitar’s popularity

After declining guitar sales for over a decade, a turnaround is in sight, led by women and festivals like the…

Jessica Cottis, a fair-skinned woman with long dark hair tied back behind her head, conducts the Canberra Symphony Orchestra. She wears a black jacket over a white shirt, and holds a white baton in her raised right hand.
Features

Celebrating connection and story: Canberra Symphony Orchestra’s 75th anniversary season

Jessica Cottis, Artistic Director and Chief Conductor of the CSO, discusses her 2025 season and the importance of commissioning new…

Silence & Rapture. A female dancer with slicked back dark hair has one leg bent with her foot touching her other knee and one arm stretching up and the other across to a bald headed man standing and playing a double bass. They are in a wharf building converted to a studio/stage space.
Features

The rapturous reunion of the Sydney Dance Company and Australian Chamber Orchestra

Sydney Dance Company has teamed up with the Australian Chamber Orchestra once more on a heavenly tour.

A string orchestra playing in the atrium of a large retail space in front of a staircase. The musicians are masked and wearing black tie dress, with many colourful dresses included.
Features

The performing arts company breaking every convention in the book … and winning

For a company working in an art form steeped in tradition, the choice to break away from some of its…

A dynamic photo of a two-piece punk band playing live. A dark haired man in a black t-shirt plays the guitar as he sings into a microphone; behind him a woman plays drums.
Features

Australian musicians in dire straits yet Triple J won’t shift its commercial focus

Why does the taxpayer-funded Triple J consistently play commercially oriented pop at drive time instead of Australian indie?

A robot uses its mechanical fingers to play the keyboard.
Features

AI doesn’t mean human-made music is doomed. Here’s why

Human music-making isn’t going anywhere, argues the University of Melbourne's Alexander Crooke.

Nevada murals. A close-up of a giant hand being painted in a mural by a Caucasian man in a baseball cap.
Features

The Burner effect, part one – Nevada murals

The Nevada Free Range Art Highway, where civic walls are bright with murals and out-door museums are the norm, is…

The ACMF music program at Cobham Youth Justice Centre NSW. Photo: Supplied. Two people in red polo shirts sitting outside on a bench. One is holding a guitar with the head down while the other appears to be teaching.
Features

How music in youth detention can create new futures

Music allows incarcerated youth with opportunities to redefine themselves from young offenders to young artists, writes Alexis Anja Kallio.

AFCM. Under an outside marquee a white man with glasses and a grey suit plays a violin from behind a music stand. There are microphones on stands. Behind him are seated a female and a male violinist resting.
Features

Australian Festival of Chamber Music offers an impressive and diverse 2024 program

Jack Liebeck’s third Townsville festival cements his reputation as one of its most exciting artistic directors.

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