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Pride and Prejudice review: Bloomshed’s satirical take is a perfect delight
With Mr Bennet played by a wilting houseplant, exaggeration is the name of the game in this hilarious production of…
Melbourne Fringe rejects artists’ requests for A Fair Cut
An open letter calling on Melbourne Fringe to improve the agreements with artists at this year's festival been rejected, however…
The Shepherd’s Hut review: Tim Winton adaptation burns bright
Black Swan's stirring adaptation of The Shepherd's Hut is proof of the strength of Western Australian storytelling.
The Importance of Being Earnest review: a complete joy
Oscar Wilde’s battle of the sexes becomes a dazzlingly funny free-for-all in this gloriously gender-bent production.
Waitress review: all the ingredients but not enough time in the oven
Waitress the Musical makes a sweet Aussie debut with star Natalie Bassingthwaighte at the helm, but doesn't quite live up…
Assassin’s Creed is being adapted into a circus stage show
Assassin's Creed: Heredis will tell an original story brought to life with parkour, dancers, and acrobatic feats.
Game Set Match review: love all?
You may think Megan Wilding’s Malthouse debut – Game. Set. Match. – is all about tennis, but this is no…
The Glass Menagerie review: it’s Tennessee Williams with biceps
This Melbourne Theatre Company production is one rambunctious take on Tennessee Williams' The Glass Menagerie.
English review: an insistently brilliant prize-winning play
Sanaz Toossi’s Pulitzer Prize-winning play takes to the Seymour Centre stage for its Sydney debut.
Drive Your Plow Over the Bones of the Dead review: a long slog with flashes of brilliance
Drive Your Plow Over the Bones of the Dead is a bloated beast of a play – but not without…
