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Timothée Chalamet’s words on Gen Z audiences say far more than his views on opera and ballet
Social media turned on the actor after his remarks that ‘no one cares’ about opera and ballet, but the debate…
20 years of Arts House: reflecting on where it all began
The founding Artistic Director of Arts House takes a look back at the early days of Melbourne’s home of contemporary…
La Mama 2026 and beyond: reflect, reconnect, relaunch
La Mama reopens after a year of reflection and reconnection, doubling down on ‘complete artistic freedom’ and committing to staging…
Arts students with disability faced harsh odds 40 years ago – what’s different now?
The Executive Director of one of our largest disability arts organisations, DADAA, identifies positive changes in tertiary arts training, but…
Art shouldn't make us afraid: my three principles for healthy artmaking
Percussionist, composer and author Steven Schick makes a case for optimism in art ahead of his upcoming Australian residency.
‘I’m tired of barely being paid.’ Artists are living below the poverty line
Did artists feel the recent indexed wage increase? No. They largely remain on the poverty line. And this week’s speculated…
You're killing me: tax reform for artists is needed now
An urgent call for tax reform, as studio artists and creatives miss out on annual wage index but still forced…
Shock to bewilderment as ANU strips cultural legacies and denies creative futures
Whose good idea was it to take an axe to ANUs Schools of Art and Design, Music and Museum Studies?
Lessons from The Spare Room: what’s the real complication in your story?
Knowing where the complication lies is the true key to every storyteller’s job.
A million moments in mid-air: why Gravity & Other Myths, and our sector, need a new way forward
Touring live performance in today's world is getting harder, perhaps there's a better way of organising funding for the touring…
