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Theatre of Dreams at Adelaide Festival 2026. Photo: Andrew Beveridge.
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Theatre of Dreams review: dance that channels such stuff as dreams are made on

Theatre of Dreams explored what happens when we close our eyes and drift away.

Two dancers clad in fetish wear-inspired costumes crouch forward as they jump a woollen rope inside a circle of light on stage. Joshua Doctor and Yilin Kong in ADT's Faraway by Jenni Large at Adelaide Festival 2026.
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ADT’s Faraway review: a writhing, driving techno-primitive delight at Adelaide Festival 2026

Choreographed by Jenni Large, ADT’s Faraway is a rich, erotically charged work, the dance equivalent of howling orgiastically at the…

U>N>I>T>E>D Chunky Move, a dark stage with dramatic smoke effects and white lighting showing a female performer with robotic metallic costuming moving across the stage under a scaffolding set piece.
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U>N>I>T>E>D review: Chunky Move's machine-led experiment missing some magic at Perth Festival

Billed as an exploration of machine mysticism, Chunky Moves' latest dance work is not as transcendental as it could be.

Songs of the Bulbul Aakash Odedra: a young male dancer in a white turban and robe photographed spinning with his eyes closed under a shower of red rose petals that are descending on him from above.
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Songs of the Bulbul review: Aakash Odedra unleashes exquisite freedoms at Perth Festival

In this dance performance, an ancient Sufi story of a caged Bulbul bird longing for escape is told with delicate…

Ludovico Di Ubaldo and Charles Dashwood in Ihsan Rustem’s Incandescence for West Australian Ballet's Ballet at the Quarry: Incandescence, 2026. Two shirtless male dancers, one with his back to the camera. The man facing the camera tender holds the other man's head in his right hand. A line of internally illuminated PVC piping physically seperates them.
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Ballet at the Quarry: Incandescence review: four world premieres danced under the stars

A Perth Festival staple, this outdoor performance features four new commissions, including Ihsan Rustem’s stunning Incandescence.

Making of a Man, Quindell Orton: a photo of a performer lying on a stage propped up with one hand under their head, seen under a spotlight wearing an opened white shirt showing a fake silicon naked male chest costume which is tucked into to grey trousers.
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Making of a Man review: 'genuine' masculinities on show at FRINGE WORLD

Foundations of masculinity are unpacked in Quindell Orton's excellent ‘one man’ dance theatre work, Making of a Man.

A dance sequence from Post-Orientalist Express, 2026. A shirtless male dancer poised on one foot with his arms extended; he wears a colourful headdress and costume.
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Post-Orientalist Express review: spectacle, parody, and the limits of post-orientalist dance in a festival economy

A fascinating but unresolved Sydney Festival production by avant-garde Korean choreographer Eun-Me Ahn.

Iksha II. Photo: Aesthete Captures.
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Iksha II review: myth made human at Seymour Centre

With brilliant dancers and bold ideas, Iksha II attempted to reframe the legendary figure of Ravana from The Ramayana.

A scene from Queensland Ballet and Experience Gold Coast's 'Elastic Heart' at HOTA, 2025. Seven dancers perform, each identically dressed in red costumes and blonde wigs, recreating Sia's iconic look. Two of the central dancers stamd in the same pose, with arms extended and bent at the elbow: the right forearm and hand pointing up, the left forearm and hand pointing down.
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Elastic Hearts review: pirouettes performed to Sia’s pop music

Sneakers replace pointe shoes in this joyful Sia-inspired dance spectacle from Queensland Ballet.

A promotional photo for the dance performance featuring the three dancers wearing balaclavas covering their face.
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Flesh Vessel, DanceX review: a cacophony of shared movements

A powerful 45-minute dance performance, DanceX reminds you of the body’s capacity for movement.

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