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On the move: the latest appointments and resignations
Staff movements and new appointments for Accessible Arts, Tasdance, MIFF, MSO, Glen Street Theatre and The Red Rattler
Five grounding techniques to cultivate resilient ensembles
When creating work that addresses our tumultuous social and political climate, it's important to have processes in place which protect…
How to write a comedy show: 24 comedians reveal their secrets
Comedy festival season is in full swing, so we asked a few comedians to share their creative processes and tips…
Review: Angella Dravid's Down the Rabbit Hole
An unflinchingly honest telling of an international tryst gone seriously awry, criminal justice and a fake friendship with a serial…
Review: The Children at Sydney Theatre Company
Lucy Kirkwood goes back to the basics of social drama to discuss the complex issue of climate change.
Review: Comedy Zone Asia
A worthy reminder that making people laugh is indeed a global phenomenon, not just restricted to privileged first world white…
Social practice: embedding art in community
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West…
Review: Ari Eldjárn – Pardon My Icelandic
He’s Iceland’s biggest comedy star, but in a country of 340,000 people, that’s not much of a claim.
Review: Sophie Willan – Branded
Unashamed defiance, rebellion and rudeness is the streak running through this young English comedian’s stand-up show.
Relying on Facebook is not a good idea
AIDC panel unpacked social media algorithm changes as they disrupt indie media.
