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Review: Black Swan State Theatre Company's The Events
Now THIS is what going to the theatre is all about. The Events is a thinking person's theatre at its…
Review: This Boy's in Love at Adelaide Cabaret Festival
Cappalletta works hard, bringing his considerable talent as a performer to the little stage, winning us over with a smattering…
Get over it: straddling the arts-sport divide
Sport excels at creating the kinds of universal metaphors and epic narratives that artists always strive for – so why…
Street performer reclaims Fed Square after far-right threat
Members of the far-right threatened and harassed a popular performer at Federation Square on Sunday. On Tuesday he and his…
Review: Jason Kravits Off the Top! at Adelaide Cabaret Festival
Led by Kravits, this show sets about creating a musical account of a cabaret singer ‘you’ve never heard of’ with…
Expanding Australia's cultural narratives on stage
Set in contemporary Western Sydney, Aanisa Vylet’s play, 'The Girl / The Woman', explores the interior lives of a first…
Top 10 tax claims for artists and creative professionals
For artists and creative professionals, it's important that tax claims are made only when justified. Here are 10 claims you…
Review: Handel's Athalia by Pinchut Opera
Pinchgut's production of Athalia is a rare chance to see this work. Athalia is musically excellent with a solid staging.
Review: Verdi’s Requiem, Sydney Symphony Orchestra
An unusual hybrid creation that straddles both church and state, superbly performed, and streamed throughout the world.
Is Hong Kong the next game changer in the global art scene?
‘It has been exhilarating to watch at close quarters the accelerated story of Hong Kong’s emergence as a global art…
