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Review: Tutti: Circus Oz with WASO, Perth Concert Hall
A feat of immense physicality, by musicians as well as acrobats, combined with emotive musicality.
Sector calls for new Artistic Investment Framework to replace MPA Framework
From across the nation, 25 independent, experimental, contemporary and cross-artform organisations have put their name to a joint statement calling…
New report outlines prohibitive restrictions on use of creative spaces
Sydney Fringe Festival has launched An Anthology of Space 2015-2018, a report that proposes solutions to overcome the onerous red…
Applause: latest funding and awards announced
2018 Ruby Award winners celebrate, Disability Internships announced across key NSW creative institutions, Carclew awards over $200,000 in arts funding,…
The myth of the general audience
In her 2018 Philip Parsons Memorial Lecture, playwright Alana Valentine speaks about the power of the collective experience and those…
Artists with disability the focus of new Sydney Festival initiative
The initiative, presented in partnership with Accessible Arts, aims to increase the number of Deaf artists and artists with disability…
Review Pinchgut Opera: Hasse’s Artaserse
Four-time Grammy Award-nominated special guest star Vivica Genaux shines.
Review: Invisible Things, Brisbane Powerhouse
Alex Mizzen delivers a commanding circus dance theatre piece in Invisible Things, spellbinding the audience with her one-woman show.
On the Move: latest appointments and resignations
New appointments for Monash Centre for Theatre, Queensland Music Festival, Symphony Services Australia, Regional Arts Australia, Monkey Baa Theatre Company,…
Not your normal music festival: Mona Foma rejects sexism and homogeneity
Like Launceston’s Cataract Gorge, Mona Foma has broken through cultural fault lines to ensure its first iteration in Tasmania’s north…
