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Review: The Madness of George III, National Theatre Live
Mark Gatiss deserves all the praise for his role as King George III.
What happens when a small community loses its arts coverage?
The decision by Hobart's The Mercury to axe all theatre, dance, and music criticism in its pages has alarmed the…
ICYMI: A wrap of this week’s arts news
New residencies, new developments, new program announcements and other arts news you may have missed.
On the Move: latest appointments and resignations
Changes at the helm for West Space, Sydney Film School, Bendigo Art Gallery, Royal Academy of Dance, National Museum, and…
Why kids see summer holidays as a time to go back to school
Some children see the summer break from school as an opportunity to learn in an area they are passionate about.…
Review: David Williamson’s The Club, Belvoir
With an engrossing story, shrewd female perspectives, complex shed debrief and some excellent physical comedy, including moustache work, The Club…
Why Ned Kelly’s story has enduring artistic appeal
He bestrides the Australian cultural landscape like a colossus; the iron-clad outlaw whose name is both revered and reviled.
Why art is indivisable from life
Art is not a luxurious extra, it's a necessity, writes Johanna Knox.
Applause: latest funding announcements and awards
2018 Kate Challis RAKA Award recipient celebrated; 2018 Gloria Payten and Gloria Dawn Foundation Fellowship recipients revealed; longlist announced for…
Why an arts degree is now a must-have asset in the workplace
Once considered to be of low value, a Bachelor of Arts is now increasingly important to employers due to the…
