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New theatrical collaboration offers bespoke digital experiences for kids
A new collaboration between Windmill Theatre Co and the innovators behind a purpose-build app has resulted in an immersive theatrical…
The year that was: COVID and the arts a year on from lockdown
From digital pivots, to government funding (or lack there of), to conversations and resilience – we take a look at…
Opportunities and Awards Wrap: New Varuna award and Kat Muscat fellowship winner
2021 Fogarty Literary Award now open, Kat Muscat Fellowship recipient announced, Varuna launches new fellowship program for writers with disability,…
A place for ‘wondrous things’: new arts precinct Collingwood Yards opens to the public
Melbourne’s newest cultural precinct, Collingwood Yards, has opened to the public after a long gestation.
Ask the Mentor: I've forgotten how to network in real life
Online conferences were great for shy people, but now in-person events are back. Brush up on your social skills and…
Eroding our culture: how the Australian arts have been slowly undermined
How have the arts lost their importance? Looking back over some of Currency House’s 62 previous Platform Papers, the outgoing…
Music Review: Exotic Strudel, Selby and Friends
A joyous celebration of one hundred years of the piano trio.
Theatre Review: Triple X, Queensland Theatre
A brave and bold exploration of identity politics.
Why CEOs need to improvise in the boardroom
Boardroom etiquette is typically formal. Is that a good thing? A panel of improv-theatre makers and CEOs suggest otherwise, in…
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
