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a giant puppet made of wire being manipulated by puppeteers in a park at night
Features

Puppet theatre knows no bounds

The efforts of WA's Spare Parts Puppet Theatre over four decades proves the powerful contribution small to medium companies make…

Features

What regional theatre needs to thrive

We take a wide-ranging look at the challenges facing three North Queensland theatre companies, their inspiring and passionate leaders, and…

Features

Celebrating 40 years of Terrapin

Four decades on, Tasmania's beloved puppet company is thriving.

Features

Jane Austen: evergreen (i)con

Austen Con 21 returns with a hybrid live and digital model.

a diverse group of people on stage singing and having a good time
Features

Reopening Sydney theatre COVID-safely

Hamilton and Come From Away are reopening in Sydney as part of NSW’s roadmap back from COVID. What can audiences…

Features

Securing arts money in uncertain times

As the sector seeks support for its post-pandemic future, how are sponsors and donors feeling about their capacity to give?

Features

Exit interview: Brett Sheehy, MTC

After nine years as Melbourne Theatre Company’s Artistic Director, Sheehy has stepped down from the role. What next?

Features

Teaching music and performance during the pandemic

For students and teachers alike the struggle to adjust teaching and curriculum during lockdown has provided impetus to explore the…

Features

Does online performance have a post-pandemic future?

Artists, teachers and arts administrators reflect on the future of theatre and comedy online, including questions of access and engagement.

a child playing with coloured paper in the dark
Features

The power of play and how to bring it home

The playground may be closed with no free-roaming allowed, but small acts of play can still be achieved and are…

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