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Why the music of Kate Bush spans generations
Her resurgent popularity shows that Kate Bush is seemingly unfettered by the restrictions of both time nor space, writes Lorna…
Ablaze: with pioneering First Nations filmmaker, Bill Onus
Academic, advocate, performer and filmmaker Tiriki Onus discusses the film made by his grandfather William 'Bill' Onus and the documentary…
How Eurovision helps define Europe’s boundaries (and why Ukraine will likely win)
Robert Deam Tobin gives a geo-political context as to how Ukraine’s 2022 entry could be heading for Eurovision success.
Vale The Saints' Chris Bailey
John Willsteed pays tribute to Chris Bailey, a 'gentleman with the mad soul of an Irish convict poet’ and acknowledges…
How are commercial shows faring post-COVID?
While stadium gigs and major musicals have returned, show business must jump hurdles to bring us the biggest names in…
Hate crime inspires new oratorio
The 50th anniversary of the drowning of Dr Duncan will be commemorated in a new composition at this year’s Adelaide…
How the metaverse will reinvent fashion
As digital fashion goes viral, what does it mean to be a designer and consumer of non-wearable fashion?
Playing a part beyond allyship with Black Brass
By recentring the African experience in an Australian context, this production suggests new models of participation and reciprocity.
Flexible thinking replaces old subscription models
The pandemic has forced new ways of thinking, including new approaches to subscriptions and seasons.
Safety first at festival time like no other
Insights from producers at Sydney Festival and Mona Foma reflect the fortitude required to stage works during Omicron.
