The secret art of conducting

Conductors including Vanessa Scammell, Asher Fisch and Nicholas Braithwaite discuss their roles and their relationships with orchestras.
A grey-haired man in formal wear and glasses stands at the podium with both hands raised, a conductor's baton in his right hand. Members of the orchestra sit around him.

Anyone who has ever attended a classical concert has surely watched the conductor up there on the podium and wondered, ‘What do they actually do’?

Nicholas Braithwaite, now Conductor Laureate with the Adelaide Symphony Orchestra, is one of our most esteemed conductors. The son of British conductor Warwick Braithwaite, he began his life in music playing the trombone as a child and said self-deprecatingly that he became a conductor ‘through lack of initiative’. Braithwaite acknowledges the essential mystery of the conductor’s role.

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Dr Diana Carroll is a writer, speaker, and reviewer currently based in Adelaide and London. Her work has been published in newspapers and magazines including The Sydney Morning Herald, The Australian, Woman's Day and B&T. Writing about the arts is one of her great passions.