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On the Move: Latest sector appointments and departures
New board members for Windmill and Bus Stop Films, and more.
Review: Wansolwara: One Salt Water, UNSW Galleries (NSW)
This is a massive project and offers a massive rethink in the narratives we construct and hold around contemporary Pacific…
Handwritten valentines create a legacy of love and literacy
Writing messages to those we care for fosters a sense of relationship, connection and well-being through literacy, creates meaning and…
ICYMI: This week’s arts news in brief
The latest festival and exhibition announcements, opportunities for artists, and a summary of arts news from around the country.
Making craft a national agenda
Australian craft and design centres are tired of falling between the conversation cracks; they have rebooted their network for greater…
When art comes from a deeper place, it’s palpable
Announcing new dates in September, Parrtjima 2020 is enduring - at once topical and timeless in shareing the stories of…
Art in the age of disaster
Hope and grief simmer at the centre of two extraordinary live works by Indonesian filmmakers premiering at Asia TOPA.
AIDC ready: A creche, Canadians and the coronavirus
What's going on behind the scenes at the Australian International Documentary Conference? Here's a glimpse of the working parts through…
Review: What Every Girl Should Know, Brunswick Mechanics Institute (VIC)
Monica Byrne’s play is a subversive, feminist take on the familiar Catholic schoolgirl setting.
Climate inaction is the greatest monster in the biennale closet
Curator of the Adelaide Biennale, Leigh Robb gives us a sneak peek into her exhibition, where the artists drag our…
