Sydney
Review: Bangarra's Dark Emu at Sydney Opera House
There is no single hero in Bangarra, despite there being plenty of heroism.
Review: Molière's The Hypochondriac at Eternity Playhouse
In this new vibrant translation by Hilary Bell, Molière's play is given a sharp updated revival.
Review: Prelude in Tea Concert by The Muffat Collective
A glorious concert of luscious Baroque music.
In Hindsight: Janet Clayton
As gallerist Janet Clayton closes up shop after a decade, ArtsHub talks with her about the future of shop front…
$1 million gift for Sydney’s Museum of Contemporary Art
In an innovative approach to philanthropy, the MCA has received a promised bequest that will be invested in sustaining future…
Review: Mother’s Ruin A Cabaret About Gin
Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.
Review: The Sugar House at Belvoir St Theatre
Alana Valentine's tale of Sydney's class struggle on stage at Belvoir St Theatre.
Creative sector representatives join panel to revitalise Sydney's nightlife
Improving Sydney's nightlife after the NSW Government's lockout laws is on the agenda, with a new panel formed to help…
Yvette Coppersmith's self-portrait wins the 2018 Archibald Prize
Of the 57 finalists, 41 are of sitters from the art world, either self-portraits, portraits of other artists, or portraits…
Jamie Preisz awarded Archibald Packing Room Prize for portrait of Jimmy Barnes
The Art Gallery of New South Wales has announced the winner of the 2018 Packing Room Prize.