Sydney
Interview with the creatives behind Sweet Juices
In conversation with Sydney-based co-directors Will Suen and Sejon Im, and their irreverent and rumbustious short film, ‘Sweet Juices’.
‘A glorious anomaly’: would the Sydney Opera House be built today?
Why does the Opera House remain an anomaly in Australia's cultural infrastructure landscape? And would it be built today?
Theatre review: Boom, KXT on Broadway
Looking at the bridge between our past and future with a heartfelt Singaporean story that traverses borders.
Don Dunstan’s legacy lives on for Adelaide Festival Centre’s 50th anniversary
Public conversations exploring the influence of the arts and the legacy of Don Dunstan will be held as part of…
What sustains staff in an event economy
Staff, who have worked with Sculpture by the Sea for over a decade, speak about what is needed to keep…
City Council’s art collection revived through Collective Knowledge
The Collective Knowledge project developed by Campbelltown Arts Centre displays community responses to works held by the City Council.
New Powerhouse commission places writers in museums
In the first of a new writing series linked to its collection, Powerhouse focuses on pioneering computer programmer Ada Lovelace,…
Dance review: Angela Goh Axe Arch Echo, AGNSW
Goh's meta-narrative of obstruction and negative space projected intrigue in fearful symmetry.
Theatre review: Lady Day at Emerson's Bar & Grill, Belvoir St Theatre
Every element of this journey into the closing stages of Billie Holiday's life and career is entrancing from start to…
Phantom’s Sarah Brightman to star in new Australian production of Sunset Boulevard
‘All right Mr DeMille, I’m ready for my close-up’: Brightman to play deranged silent picture star Norma Desmond in lavish…