Sydney
Sydney’s year in theatre 2025: our three favourite shows
ArtsHub takes a look back at the year that was and revisits three of the most powerful theatre productions to…
Iksha II review: myth made human at Seymour Centre
With brilliant dancers and bold ideas, Iksha II attempted to reframe the legendary figure of Ravana from The Ramayana.
Much ado about who? The enduring appeal of Shakespeare
William Shakespeare is having a Renaissance moment. What has caused this enduring fascination, and how do his plays resonate with…
Data Dreams: Art and AI review: exploring artist-AI collaborations
Sydney’s MCA leads a timely institutional conversation with a major summer exhibition that replaces fear of AI with a human…
Chanel Tobler at Nasha Gallery: 'Colour can be a form of medicine'
Emerging artist Chanel Tobler moves fluidly between mediums in this solo exhibition at Sydney's Nasha Gallery.
The Life and Death of King Lear review: maximal title, minimal production
In this telling of King Lear, Sydney’s Belvoir St Theatre presents a patchy, minimalist version of one of Shakespeare’s great…
Christopher Kulendran Thomas review: rethinking safe zones through AI
In Safe Zone, Christopher Kulendran Thomas uses AI to ask powerful questions about how we record and relate to histories…
NIDA Open Studios: shaping unique artists through rigorous pre-professional training
Teaching artist Louise Birgan explains how NIDA Open Studio Programs prepare students for professional arts training and practice.
On the move: latest arts sector appointments
Your weekly round-up of Australian arts sector appointments.
Strong sales see smaller art fairs pushing ahead of larger events
Big is not always better. This year, the Affordable Art Fairs have shown their muscle with a consistent upward trend…