South Australia
Dracula bites: West Australian Ballet performs to recorded music in Adelaide
In a controversial move, the West Australian Ballet stuck to its original decision to stage Dracula in Adelaide without a…
Dracula review: a lingering kiss from the West Australian Ballet
This Dracula is a stylish interpretation of the classic and seemingly immortal gothic thriller.
In the Quiet review: Adelaide Symphony Orchestra premieres a superb concerto
With the world premiere of a blistering concerto and the Australian debut of a powerhouse young conductor, In the Quiet…
Sanctuary Series review: relaxing to the Adelaide Symphony Orchestra on a yoga mat
Adelaide Symphony Orchestra's Nordic Lights was an immersive concert experience unlike any other.
I founded Australia’s first silo art trail – here’s why the movement now needs to evolve
After a period of rapid growth, Australia’s silo art movement has reached a critical juncture.
The Devil’s Violin review: ACO brings style and flair to a lively program
In The Devil's Violin, the ACO musicians showcase their strengths on stunning Golden Age instruments.
Gatz review: it’s The Great Gatsby (Jim) but not as we know it
Gatz, the acclaimed adaptation of F Scott Fitzgerald’s The Great Gatsby, returned to Australia for the Adelaide Festival.
Theatre of Dreams review: dance that channels such stuff as dreams are made on
Theatre of Dreams explored what happens when we close our eyes and drift away.
The CAN Principle review: Jonny Pasvolsky’s hilarious take on hope and can-do hucksters
In his one-man comedy act The CAN Principle, Jonny Pasvolsky shares a quick guide to 'can-lightenment'.
Mary Said What She Said review: Isabelle Huppert's masterful turn as Mary Queen of Scots
The French actor delivered an unforgettable and commanding performance in Mary Said What She Said at Adelaide Festival.