South Australia
I founded Australia’s first silo art trail – here’s why the movement now needs to evolve
After a period of rapid growth, Australia’s silo art movement has reached a critical juncture.
The Devil’s Violin review: ACO brings style and flair to a lively program
In The Devil's Violin, the ACO musicians showcase their strengths on stunning Golden Age instruments.
Gatz review: it’s The Great Gatsby (Jim) but not as we know it
Gatz, the acclaimed adaptation of F Scott Fitzgerald’s The Great Gatsby, returned to Australia for the Adelaide Festival.
Theatre of Dreams review: dance that channels such stuff as dreams are made on
Theatre of Dreams explored what happens when we close our eyes and drift away.
The CAN Principle review: Jonny Pasvolsky’s hilarious take on hope and can-do hucksters
In his one-man comedy act The CAN Principle, Jonny Pasvolsky shares a quick guide to 'can-lightenment'.
Mary Said What She Said review: Isabelle Huppert's masterful turn as Mary Queen of Scots
The French actor delivered an unforgettable and commanding performance in Mary Said What She Said at Adelaide Festival.
Monteverdi's Vespers and Orfeo review: two 5-star baroque masterpieces at Adelaide Festival
Ensemble Pygmalion's performances of Monteverdi's Vespers and the opera Orfeo were baroque masterpieces for a neo-baroque age.
Mary Said What She Said is a stunning solo act
Acclaimed French actress Isabelle Huppert is hypnotic as the doomed Queen of Scots in this Adelaide Festival production of Mary…
The Tiger Lillies review: dead funny cabaret at Adelaide Festival
The Tiger Lillies didn't bring the energy they're known for to this Adelaide Festival performance of Serenade from the Sewer.
History of Violence review: exploring memory, trauma and the nature of truth at Adelaide Festival
History of Violence was stunning proof that the nature of any story, no matter how personal, changes in the telling.