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The CEO of the Museum of Pop Culture (MoPOP) joins a suite of speakers at the upcoming REMIX Summit, Sydney. Pictured are the main buildings of MoPOP: the architecture is inspired by the energy, movement and fluidity of the arts; a visually impactful image showing a series of interconnected buildings adorned in aluminum shingles in white, red and blue, which have a flowing, fabric-like quality to them.
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Beyond the exhibit: How Seattle’s Museum of Pop Culture is reimagining what a museum can be

The CEO of MoPOP is heading to REMIX Summit Sydney to share her insights into ways cultural institutions can stay…

An orchestra on stage with a theremin player seated at their centre.
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Music review: Theremin & Beyond, City Recital Hall

The haunting, unusual theremin collides with the Australian Chamber Orchestra in this spellbinding concert.

The company of 'Women on the Verge of a Nervous Breakdown' at The Hayes Theatre.
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Musical review: Women on the Verge of a Nervous Breakdown, The Hayes Theatre

A melodramatic musical farce set in Madrid in the late 1980s.

A scene from STC's 2025 production of Beckett's 'Happy Days'. A woman with her bottom half hidden in a mound of dirt. There's a black plastic bag next to her, and on her other side is man with his back to us, holding up a newspaper. He too is visible only from his waist up.
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Theatre review: Happy Days, Wharf 1 Theatre, Sydney Theatre Company

Lead actor and co-director Pamela Rabe shines in this staging of a classic Samuel Beckett play. 

Two Indian women in colourful saris. One is standing, one is kneeling over some woven baskets.
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Theatre review: The Wrong Gods, Belvoir St Theatre

This thought-provoking but not entirely satisfying tale by S. Shakthidharan explores the cost of progress and development in 20th century…

A man and a woman are standing and staring at each other over a kitchen table; a vase of flowers and a pair of bongo drums sit on the table. The wallpaper behind them is colourful and graphic.
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Theatre review: The Lover and The Dumb Waiter, Ensemble Theatre

A double dose of classic Pinter plays.

Six people dressed in varying costumes of white are huddle together on stage. In the background the words 'De-Kolo-nize' are spelt out diagonally.
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Performance review: UPU, Sydney Opera House

A poetic expression of the Pacific, its people and their stories.

Theatre makers stand on stage as a close up of a mans face fills the theatre backdrop in a purple, blue hue.
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Sharing Trent Dalton's 'Love Stories' on stage: 2025 national tour

From September, the play will be travelling outside Brisbane for the very first time.

Bright, colour paintings on a white wall. The photo is taken on on the diagonal.
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Exhibition review: Martin Claydon: Leaves of the Brush, CBD Gallery, Sydney 

Martin Claydon's work is busy, colourful and sumptuous.

On a green and pink Edwardian stage set a young man in a brown suit and a young woman. in a pale green dress and large brimmed hat look off to the right. Lord Arthur Savile's Crime.
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Theatre review: Lord Arthur Savile's Crime, Genesian Theatre

A quaint farce satirising murder, nobility and marriage.

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