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Shall we dance? Why Opera Australia staged The King and I

Why is a government subsidised company staging a work that falls squarely within the ambit of commercial theatre?

Opinions & Analysis

Is Adelaide on the cusp of something big?

The so-called ‘second tier’ of Adelaide was laid waste during the 1990s but a new generation is reclaiming the territory.

News

Adelaide Festival Centre bows to commercial imperatives

The last bastion has fallen, driving up ticketing costs.

Features

Do we need a National Indigenous Theatre?

The new conversation about a National Australian Theatre has a feeling of deja vu for Indigenous performers who have long…

Features

Space woes afflict Adelaide theatre-makers

Adelaide’s theatre sector lacks appropriate and accessible space. Is redeveloping Queen’s Theatre the answer?

Features

The yawning gap in Adelaide’s arts ecology

Why does South Australia's theatre sector lack an equivalent of Belvoir, Griffin, La Boite and the Malthouse?

Opinions & Analysis

Adelaide Festival Centre defends itself

Last week ArtsHub published an op-ed outlining artists' grievances with Adelaide Festival Centre. How did the AFC respond?

Opinions & Analysis

Animosity in Adelaide

What has the Adelaide Festival Centre done to annoy so many of its city’s artists?

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The Dummies Guide to Opera

An ambitious task tackled with verve, vim and very good humour

Features

Immersive theatre helps to heal tsunami's scars

Polyglot Theatre helps traumatised children take control of their lives though play, by building a town out of cardboard boxes.

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