Performing Arts
ATD’s Faraway review: a writhing, driving techno-primitive delight at Adelaide Festival 2026
Choreographed by Jenni Large, ADT’s Faraway is a rich, erotically charged work, the dance equivalent of howling orgiastically at the…
Star Scum City review: 2charm’s debut album is an electropop ode to summer
Melbourne’s 2charm delivers a sultry, bold and queered vision of summer love.
The Booster Protocol review: playing games with pvi collective at Perth Festival
Participants in The Booster Protocol must complete tasks as they move through a guided tour, but is social justice really…
Scenes from the Climate Era review: WA Youth Theatre tackles hope and purpose at Perth Festival
Climate change is a difficult topic to bring to the stage, but the young performers in Scenes from the Climate…
Slingsby’s last hurrah: a fairy tale triptych in an intimate, custom-built theatre
Adelaide company Slingsby is mounting its final work, A Concise Compendium of Wonder, in a custom-made, environmentally friendly theatre for…
My Brilliant Career wins Australia’s richest playwriting prize at AWGIE awards
The MTC's musical adaptation of My Brilliant Career has won the $120,000 David Williamson Prize for Excellence in Writing for…
The Art of Storm-Whistling: a mythical maritime story at Adelaide Fringe
The Art of Storm-Whistling follows a mythical journey across the seas.
Team Viking review: a hilarious, heartbreaking and healing masterpiece
The remarkable Team Viking was one of the standouts of the Adelaide Fringe opening weekend.
U>N>I>T>E>D review: Chunky Move's machine-led experiment missing some magic at Perth Festival
Billed as an exploration of machine mysticism, Chunky Moves' latest dance work is not as transcendental as it could be.
The Doll Trilogy review: Red Stitch makes a marathon feel like a sprint
My word, she’ll be right… Ray Lawler’s pioneering The Doll Trilogy still makes for a stimulating day (and night) in…