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Review: Kilter, There, Pining for Affection, Melbourne Fringe

New circus, a remounted theatre work, and a musical comedy about a talking tree: three works hint at the breadth…

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Review: The Bulldog Track by Peter Phelps, Hachette

Described as 'a bloody good yarn' by Phelps' mother, this memoir is a loving tribute to Phelps' father and grandfather.

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Review: Home, QPAC, Brisbane Festival

Home offers a uniquely rewarding theatre experience to those who come with an open mind.

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Review: Luna Gale, Ensemble Theatre

Luna Gale is a production which guides its audience through a journey of unreliable ethical, religious and humanist first impressions…

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Review: Jersey Boys, Capitol Theatre

The much-loved musical hits all the right notes on its return to the Sydney stage.

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Review: National Art – Part One, at NAS Gallery

Building upon a teaching and touring archive, 50 artists have gifted significant artworks to the National Art School Collection. Those…

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Review: The Elements of an Offence, Queer Fringe: New Theatre

The Elements of an Offence showcases a cast who bring considerable charm and comic timing to their work.

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Review: Amphibian, Space Theatre Adelaide Festival Centre

Amphibian is a tantalising schools show, a considered, collaborative work from Adelaide’s Windmill Theatre Company that seeks to broach topics…

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Review: Ich Nibber Dibber, Malthouse Theatre

Funny, funny feminism from post theatre.

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Review: QSO and Tamara Anna-Cislowska, QPAC

QSO's latest brings Beethoven's 7th, Prokofiev, and a premiere from Elena Kats-Chernin.

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