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A young man and an older man are staring at blank canvas. Shellshocked.
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Theatre review: Shellshocked, Holden Street Theatres, Adelaide Fringe Festival

The psychological ravages of war laid bare in unexpected ways. 

Women of the Soweto Choir in colourful clothing.
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Performance reviews: Hope and Gluttony, Adelaide Fringe Festival

A choir full of hope and other assorted goodies in this year's Adelaide Fringe.

A brunette woman in a red singlet is staring up at a blond man in a olive top.
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Theatre review: Berlin, The Stables Meat Market, North Melbourne

Secrets and lies, the past and the present: Joanna Murray-Smith's play returns for a short season.

Irish actor Stephen Rea in Samuel Beckett's 'Krapp's Last Tape' at Adelaide Festival 2025. The photograph depicts Rea, an older fair-skinned man with an unruly shock of greying hair, hunched over an old reel-to-reel tape deck to which he listens anxiously.
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Theatre review: Krapp’s Last Tape with Stephen Rea, Adelaide Festival 2025

A masterful actor performs Beckett’s masterpiece about the inevitable march of time: an unmissable production.

Sebastian Geilings in Australian Dance Theatre's 'A Quiet Language', Adelaide Festival 2025.
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Dance review: A Quiet Language, Australian Dance Theatre, Adelaide Festival 2025

A complex, compelling production, by turns anguished and joyous, angry and elegiac, honouring six decades of radical dance history.

Two panels. On the left is author Andrea Goldsmith wearing all black. She has short curly brown hair and is holding one palm to her chin. On the right is the cover of her boo, "The Buried Life' that has a profile cut out of a woman's face and upper body. Inside of which is the sea. The Buried Life by Andrea Goldsmith
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Book review: The Buried Life, Andrea Goldsmith

Three people form an unlikely bond in this tale about messy relationships across generations.

Two panels. On the left is Madeleine Watts, who has long wavy brown hair. On the right is the cover of her book, 'Elegy, Southwest', which features an empty swimming pool and a stepladder in it.
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Book review: Elegy, Southwest, Madeleine Watts

A road trip that meanders around love and loss.

Three performers wearing black and white are reaching out to a third who is climbing on the stage.
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Ballet review: Relâche: The Last Dance on Earth, Odeon Theatre, Hobart 

A fusion of dance, Dadaist performance art and silent film.

Two young girls in school uniform.
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Theatre review: The Children’s Hour, Old Fitz Theatre

Ninety years on from when Lillian Hellman first wrote the play, its story is still relevant.

Two panels. On the left is Victoria Brownlee, who is smiling and has long brown hair. On the right is the cover of her book, 'Eat Your Heart Out' which is red and has an illustration of a man and a woman facing the sea.
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Book review: Eat Your Heart Out, Victoria Brownlee

A literary amuse-bouche that will leave romance readers happily sated.

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