Reviews
Review: The Farmer's Daughter, Spare Parts Puppet Theatre
From mystical opening ‘til close of curtains, this gentle tale will keep you and your children entranced.
Review: Rigoletto by Opera Australia
Classic opera; classic revenge, classic tragedy. Rigoletto's big opulent sets are matched by big voices and big entertainment.
Review: Carrion, Arts House
Justin Shoulder's recent work Carrion demonstrates the change-making potential of embodied performance.
Review: Spirit Realms – Sacred and Profane, Sydney Symphony Orchestra
A performance that failed to reach the exhilaration of its program.
Review: Blackie Blackie Brown: The Traditional Owner of Death, Malthouse Theatre
Telling this story requires great strength, and the script holds a burning anger that can only be derived from deep…
Review: Bukal, JUTE Theatre
Bukal is a story of humble beginnings, family, tradition and culture. Bukal is a story of an amazing woman.
Review: The Rolling Stone, Seymour Centre
You wouldn’t expect a play about anti-gay violence in Uganda to nail its comedy.
Review: Permission to Spin, Old Fitz Theatre
It’s not easy to make a Happy Meal toy sound so sinister, but there you go.
Review: The Geography of Friendship by Sally Piper
We can't ever go back, but some journeys require walking the same path again.
Review: ENOUGH خلص KHALAS, UNSW Galleries
This exhibition communicates a sense of otherness that is very ugly and brutal, but sadly the experience of many Australian…