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Review: Tom Gleeson Sure Thing

Like listening to a funny mate tell quality yarns with a wink, some heart and plenty of snark.

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Review: Kitty Flanagan Smashing

With a few choice anecdotes about awkward moments, a silly fantasy about Matt Damon, and some simple visual gags, Flanagan…

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Review: Songs That Made Me

An entertaining yet unusually informal celebration of song, the closing event of the 2018 Women of the World Festival.

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Review: James Ehnes as part of 2018 Great Performers Series

An exceptionally fine performance successfully proposing that ‘less is more’. Presented at the Melbourne Recital Centre.

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Review: The Flick at the Seymour Centre

This play is a masterclass in how to pace a drama. Outhouse Theatre’s adaptation of Annie Baker’s The Flick is…

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Review: QSO – Faure Requiem

A celebration of the beauty and persuasive power of the voice and the infinite sonic possibilities of instrumental and choral…

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Review: Evacuation by Raphaël Jerusalmy

There are many layers to this excellent short novel published by text Publishing.

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Review: Bohemia Beach by Justine Ettler

Catherine drinks champagne, for when she’s trying not to get too drunk, and vodka, for when she’s seeking refuge from…

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Review: Soft Topologies by Kate Scardifield at UTS Gallery

Through materials and artefacts of colonial astronomy, Kate Scardifield explores how we each move through the world, making our own…

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Review: The Children at Sydney Theatre Company

Lucy Kirkwood goes back to the basics of social drama to discuss the complex issue of climate change.

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