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Review: Verdi’s Requiem, Sydney Symphony Orchestra

An unusual hybrid creation that straddles both church and state, superbly performed, and streamed throughout the world.

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Review: Above Ground at Riverside Theatres

Form Dance presents a thought-provoking visually striking double bill of contemporary dance.

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Review: Shaken: A James Bond Cabaret at Chapel off Chapel

Who is the best 007? This long debated question is the light-hearted driver of Charlie D. Barkle and Erin Hutchinson’s…

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Review: Marjorie Prime at Ensemble Theatre

This play opens with some promising questions but ultimately its answers are simplistic and outdated.

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Review: Dark Mofo 2018

Hobart’s renowned winter festival encourages punters to take risks, and rewards visitors with fascinating arts experiences.

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Review: The Outsider by Stephen King

Few can bring the horrible to life as well as Stephen King can.

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Review: Fury at Red Stitch Actors' Theatre

Fury is a superbly directed piece of compelling contemporary theatre by eminent playwright Joanna Murray-Smith – this show is attracting…

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Review: MoMA at NGV is a landmark exhibition

MoMA at NGV is a rich, dazzling and profoundly visually exciting exhibition - the grandest in fifteen years of the…

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Review: 4Seasons at QPAC

A triumphant triple bill of stunning contemporary dance.

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Review: St. Vincent at Carriageworks for Vivid Sydney

St. Vincent can carry a 500-strong audience on the voice alone, but the guitar is a hell of a bonus.

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