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A profile of a woman. The bottom half of her is covered by steam.
Features

Mills & Boon: How to write steamy scenes

Four Mills & Boon Australian authors offer tips on how to write racy copy.

aerial view of Sydney with White Bay Power Station.
Features

How will White Bay Power Station work as an arts venue?

Despite offering zero parking on-site, White Bay Power Station promises to be an arts venue to shape Sydney, and beyond.

UQ Art Museum. Image is two people wearing white shirts standing in a river with VR headsets on.
Features

The art museum pushing boundaries in a surprising location

Hidden on the University of Queensland's St Lucia campus, the UQ Art Museum serves as a creative think tank building…

method acting, Natalie Portman. Image is a 39-something female actor in a blue double breasted blazer and green scarf, with long hair, smiling off camera.
Features

How method acting could empower women

Natalie Portman says method acting is a ‘luxury women can’t afford’ – but new research shows how it can empower…

Photo: Maria Varshavskaya, Pexels. A group of young people sitting and standing next to a table with scrapbooking material laid out.
Features

Library workshops offering respite through making

Local libraries hold an array of workshops for all kinds of crafters, including art nights, social groups, or just some…

A man and a woman holding guns are on a hill with a lake and another mountain in the background.
Features

Streaming guide February 2024: new shows to stream on Netflix, ABC iview, Stan, BritBox, and more…

Your guide to the best new shows and films to stream in Australia on all major streaming platforms this month.

Jahkarli Felicitas Romanis, ‘Burnt’ (cropped) as part of ‘Dis(connected) to Country’. Photo: Supplied. A photographic work showcasing the portrait with no facial features, overlayed with the red desert landscape.
Features

(Dis)connected to Country: mapping the intersections of place, identity and family

Jahkarli Felicitas Romanis interrogates the possibility of self-determination through photography.

Alana Hunt, 'Cups of nun chai’, 2010-20 which explores the ongoing territorial conflict in Kashmir. Photo: Courtesy of the Artist. A hand flicking a newspaper.
Features

The controversies of ‘political art' exploring war and violence

Examining the relationship between politics and the arts, and whether Australians are sensitive towards topics of war or violence.

Work by Tace Stevens showing as part of group exhibition ‘Only the future revisits the past’ at Centre for Contemporary Art as part of PHOTO2024. Image: Supplied. Photography work that captures a residential shed in the glow of early evening sunset. The shadow of two figures are reflected onto the wall of the building.
Features

Only the future revisits the past

The Centre for Contemporary Photography’s upcoming exhibition for PHOTO 2024 looks towards the past to speculate on future possibilities.

Installation view of ‘Telly Tuita: Tongpop’s Great Expectations’ at Campbelltown Arts Centre. Photo: Jodie Barker. Installation and photography works inside a spacious gallery with sky blue walls.
Features

Self-representation and cultural references in the work of Telly Tuita

Telly Tuita’s solo exhibition signifies a full-circle moment.

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