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The planned redevelopment of Bendigo Art Gallery will be one of the largest civic expansions the city has ever undertaken. The image shows a rendering of the new, expanded gallery: a large white cube-like building side by side with the older, Victorian-era, red brick original Gallery. A flight of white steps lined by native plants and gum trees lead up to the main doors; an access ramp is also pictured.
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Bendigo Art Gallery prepares for $45 million redevelopment

The Bendigo Art Gallery will close for two years as expansion and infrastructure upgrades begin in 2026

A pushbike on the left of the stage. On the right is a person dressed as a stork in yellow pants and a white ruffly top. A scene from Antipodes Theatre Company's 'Storked' at Theatre Works.
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Theatre review: Storked, Theatre Works

The politics of pregnancy from a queer perspective.

A Chinese lion, transformed into some form of mermaid, is framed like an old-fashioned theatre stage. The pieces on either side, completing the three-panel work, are octopus tentacles. The artwork by Ruby Li is showing as part of the Asian Heritage Week Exhibition at Dark Horse Experiment.
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Exhibition review: Asian Heritage Week Exhibition, Dark Horse Experiment 

Inner-city Melbourne gallery offers a collection of excellent contemporary Asian-Australian art.

A scene from Thursday’s Child Theatre's 2025 production of Harold Pinter's 'Betrayal'. Photo: Shay Bedel.
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Theatre review: Betrayal, Chapel off Chapel

Harold Pinter's classic play is still relevant decades later.

Ensemble in various period costumes from 1927 dancing on stage in Cloc Musical Theatre's 'Nice Work If You Can Get It'.
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Musical review: Nice Work If You Can Get It, The National Theatre

Socialites and bootleggers jive to the songs of George and Ira Gershwin.

A group of circus performers in black leotards. One of them has been flung into the air and is flying towards more of the ensemble, who stand with arms raise to catch her. The photograph depicts a scene from Circa's 'Humans 2.0' at Arts Centre Melbourne.
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Performance review: Humans 2.0, Playhouse, Arts Centre Melbourne

A post-human show that defies gravity.

Atong Atem, ‘Three Women’, 2019, Ilford smooth pearl print. Atem is one of 16 artists exhibited in the city of Greater Dandenong’s HOME 25 exhibition this year.
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Home is where the art lives – on the streets as well as on gallery walls

Exhibition curator Dr Miriam La Rosa discusses the City of Greater Dandenong’s major exhibition, HOME 2025, a celebration of Dandenong’s…

A scene from the Australian production of 'Beetlejuice The Musical'. A cartoonish haunted house primarily lit in purple and green; Eddie Perfect as 'bio-exorcist' Beetlejuice, stand with hands raised centre stage. He has green hair and a green and purple-striped suit. Other charactors, including a startled looking couple and members of the ensemble dressed as male and female cheerleaders stand onstage with them and behind them.
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Musical review: Beetlejuice the Musical, Regent Theatre

Beetlejuice Beetlejuice Beetlejuice is now playing in Melbourne.

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Dance review: Body Corp, Northcote Town Hall Arts Centre

The body and technology intertwine in this masterful dance work created and co-performed by Sarah Aiken.

Fellowships

Glen Eira City Council

2025 A.M.E. Bale Travelling Scholarship and Art Prize

The A.M.E. Bale Travelling Scholarship and Art Prize is awarded to Australian artists who have demonstrated talent and achievement in…

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