National
Where to now for the MPA Framework?
Revolution or evolution? With a survey of the Major Performing Arts Framework underway, AMPAG's Chair, Deputy Chair and Executive Director…
Melbourne Art Fair’s revival: what the dealers thought
Melbourne Art Fair comes back pushing the boutique line and dealers give the new format the thumbs up.
Career spotlight: Lighting designer
Creating mood, shifting emphasis, painting with light: the art of the lighting designer is a subtle one. Here, three successful…
On the move: the latest appointments and resignations
New Patron for QL2; a marketing manager for Yirra Yaakin; new dancers at WA Ballet and Head of Private Sales…
Review: Jasper Jones, QPAC
Queensland Theatre’s energetic production is playful, inventive and engaging, but ultimately struggles to find the balance between a coming-of-age drama…
Why a new code of practice is important for the arts
In our uncertain, unethical times, a code by which artists and organisations can conduct business and their art practice is…
Review: Give Me Your Hand by Megan Abbott, Picador
The doings of the central characters in Give Me Your Hand make for good reading, but you would hope never…
When design innovation takes a dark turn
At the 2018 Creative Summit, neuroscientist, engineer and human-centred designer Melis Senova explained why it’s important to be a conscious…
'The MPA framework does more harm than good'
The majority of the Major Performing Arts companies offer up 'a cocktail of timidity, mediocrity, heritage, and tourist arts’, said…
Review: The Mermaids: Mirror Worlds and Triple Vita Nestings, IMA
These two powerful exhibitions, Karrabing Film Collective's The Mermaids: Mirror Worlds and Haegue Yang's Triple Vita Nestings, are now on…