National
Essential arts: Our response to the arts being merged into a super department
In the wake of the Federal Government announcement that the arts has been been made less visible, here is ArtsHub's…
The 20 most read visual arts stories of 2019
From switching off our phones, to exposing non-paid artist fees, the burden of activism and how to be a better…
The most read ArtsHub stories of the decade (2010-2019)
Over the last ten years we've been following stories that matter to the arts sector, from funding cuts to how…
The Big List: The Visual Arts in 2019
2019 was big: big on political unrest, big on international imports, big on empathy and wellness, but mostly, big on…
Performing arts highlights of 2019
The outstanding productions of the year, as selected by our Performing Arts Editor Richard Watts and some of our keenest…
On the Move: Latest sector appointments and departures
Meet Adelaide Festival's new Executive Director, new Board members for ATYP and The Australian Ballet, Concertmaster moves on, and more.
Exit interview: Sir Andrew Davis, MSO Chief Conductor
After seven years in the role, the Maestro is moving on. He reflects on the highlights of his time with…
ICYMI: A wrap of the week’s arts news
The Regent Theatre unveils its new look, Mona to run 42-day music marathon, Destiny Deacon retrospective comes to NGV, Metro…
Production skills to go from film/TV to games and back again
Screenhub gets the lowdown on working in production in film, television and videogames from two producers who've done it all.
The Prettiest Horse in the Glue Factory by Corey White
White tells his story with a disarming utter frankness.