National
Are arts grants applications blocked by classist language?
Applying for a grant shouldn't require a specific language but for some there is a class barrier that prevents application.
Is professionalism a dirty word in the arts? (from the archives)
Has too much talk of brand and career management muddied the path of professional practice as an artist? Artistic growth…
Can you ever have too much Beethoven?
University of Sydney’s David Larkin asks, is Beethoven at risk of overexposure?
Book review: Fascists Among Us by Jeff Sparrow
Jeff Sparrow’s concise, incisive analysis of the rise of fascism is the wake-up call we all need.
Book review: Darkness for Light by Emma Viskic
The third thriller in the Caleb Zelic series portrays Caleb’s deafness skilfully but relies too much on its predecessors.
On the Move: Latest sector appointments & departures
Meet DRILL’s new Artistic Director, CIAF's new General Manager, Brisbane Festival’s Marketing and Communications Director, and more.
Book review: Ten Doors Down by Robert Tickner
The brutalities of an immoral system and the power of a mother’s love are brought into harrowing relief in this…
Performing Arts Markets and their Conundrums
Veteran arts marketeer Justin Macdonnell gives us an uncompromising look at the refashioned Australian Performing Arts Market debuting this month,…
Review: Psychedelic Realism, aMBUSH Gallery, Australian National University (ACT)
Immerse yourself in the dreamlike world of Reg Mombassa.
Review: Vernon Ah Kee: The Island, Campbelltown Arts Centre (NSW)
A powerful survey exhibition of Aboriginal artist Vernon Ah Kee's videos and wall texts, questions the frameworks of power and…