Melbourne
Musical review: Love Actually? The Musical Parody, Athenaeum Theatre
For the rusted-on fans of the 20-year-old movie, this production follows the same beats as the original.
Exhibition review: Yayoi Kusama, NGV International
An overdue retrospective in the name of love, Yayoi Kusama has got little (time) to offer.
Pop-up clubs and performance art announced for Asia TOPA’s Nightlife program
Returning after a five-year hiatus, the Asia-Pacific Triennial of Performing Arts reflects the many ways people now experience culture, including…
Sick of mega art fairs? 2 alternative models offer a more intimate experience
The return of Quarantine Art Fair and The Other Art Fair offers opportunity for respite and connection.
Theatre review: ILARUN: The Cutting Comb, fortyfivedownstairs
A story of decolonised power based on a 18th century Jamaican matriarch.
Music review: Missy Higgins, The Second Act Tour 2024, ALWAYS LIVE festival
Missy Higgins stands in her own power in the face of heartbreak and uncertainty.
Celebrate the reopening of Notre-Dame right in the middle of Melbourne
The Immigration Museum presents an immersive opportunity to time travel through the history of Notre-Dame and get a French culture…
Performance review: F Christmas, Malthouse Theatre
The antidote to traditional Christmas schmaltz.
Improved accessibility at Bakehouse Studios due to recent redevelopment
A venue known for hosting music legends now offers better accessibility opportunities for artists and visitors.
Legal costs of MSO Board actions start to mount … at what cost to the art?
The MSO’s controversial response to a statement made by an artist at an August recital has not just impacted the…