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Art lessons from William Kentridge

William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his…

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Review: Evie May, Hayes Theatre

Evie May is a charming and emotional backstage tale, which, notwithstanding its period setting, has currency and relatability.

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A seat in the writer's room: writing for stage and screen

Playwright and NIDA graduate Gretel Vella discusses the reality of life behind the keyboard, and the differences between writing for…

Features

'A deep regard for creative endeavour': meet the new Australia Council CEO

Diversifying the arts, working with government and finding new ways to talk about the relevance of the arts in our…

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Review: Masters of modern art from the Hermitage, AGNSW

Hermitage Director says this exhibition presents ‘a Hermitage view of the history of modern art,' but it does so much…

Features

How art helps us understand the universe

The discovery of gravitational waves gives us new ways to explore the cosmos, with poets and sound artists as our…

News

'Father of the Fringe' leaves $500,000 legacy

Three generous bequests amounting to half a million dollars over the next decade will build on the legacy of the…

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Review: The Word by William Lane, Transit Lounge

The Word is intended to be a satirical novel about the use of language.

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Review: At Dusk by Hwang Sok-yong, Scribe

In this highly engaging novel, Hwang Sok-yong subtly interweaves the reminiscences of three people.

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Review: Prize Fighter, Song for a Weary Throat, Frogman, MIAF

Snapshot reviews of this year’s Melbourne International Arts Festival.

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