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Review: In The Heights, Sydney Opera House

This show not only sizzles with supergiant energy but it’s a timely rebuttal to the whitewashing of Australian identity.

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From edifice to ecology: how performing arts centres continue to evolve

Australia's performing arts centres are increasingly focused on sector development and supporting the country's independent artists and the small to…

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Review: Turandot, Opera Australia

An extravagant production of Puccini’s posthumous and deeply flawed masterpiece.

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Review: Counting and Cracking, Belvoir

With an ensemble of astonishing depth Counting and Cracking is culturally, dramatically and comically rich.

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ICYMI: A wrap of this week’s arts news

Art Stage Singapore cancelled, Next Wave calls on artists for form government, MPavilion extends summer program, and more.

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Review: Wolfgang’s Magical Circus, Sydney Opera House

A terrific blend of circus and Mozart's music – a totally enchanting show.

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The Whiteley phenomenon – why a painter has impacted theatre, opera and film

Brett Whiteley is no longer exclusive to the visual arts, but has become part of Australian mythology. ArtsHub speaks with…

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Applause: latest funding and awards announced

Fifty Squared Art Prize 2019 winners announced, Australia Council grant recipients revealed, CIAF granted $150,000 state funding, and more.

Features

The queer artists redefining our interpretation of masculinity

Two new works premiering at LGBTI festivals this summer are inviting audiences to challenge conventional notions of masculinity through performance…

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Review: The Arsonist by Chloe Hooper

Chloe Hooper shares her insights into the sort of person who might perpetrate the crime of arson.

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