Australia
On the move: the latest appointments and resignations
New director of MAAS, new Associate Producers at ILBIJERRI, sudden dismissal of YIRRAMBOI Creative Director, and more.
Review: Xenides, Studio Underground, State Theatre Centre WA
This devised mix of musical theatre, witty confessionals and thoughful social critique engages, but lacks a consistent thread to convincingly…
Share in $187,500 prize pool by letting your imagination soar
Break down the boundaries of design and access exclusive internships and residencies with the 2019 World of WearableArt Awards, which…
Lisa Havilah to head up MAAS and lead Powerhouse Museum move
Lisa Havilah is the fourth woman to take the reigns of the Powerhouse, and the first to step into a…
Review: The Climbing Tree, Bathurst Memorial Entertainment Centre
A touching and poignant drama about Bathurst as both a material and imaginative sphere. It is a complex and profound…
Review: Freud’s Last Session, Seymour Centre
There is some truly marvellous acting in this detailed and precise production.
Review: Bowness Prize 2018, Monash Gallery of Art
The Bowness Photography Prize is a contemporary collection of stories in pictures told by Australians at home and abroad, making…
How stage and screen professionals can help reduce suicides in Australia
Evidence suggests that the dramatic portrayal of suicide can impact on vulnerable audiences, including contributing to increases in copy-cat incidents…
Nginha ngurambang marunbunmilgirridyu: I love this country – but do you?
Jonathan Jones’ Artstate keynote talk offered fresh pathways forward in our complex colonial conversation.
Critics savage King Kong on Broadway
The massive star of the show, a 2000 pound and 20 foot high puppet, gets rave reviews, the songs and…