Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

Hand dyeing Indigo textiles, Oaxaca, Mexico. Photo: Gina Fairley.
Features

The 'handmade' label is no longer enough – makers must tell new stories

In this new era of AI, creatives are relying on the 'handmade' label to lure in audiences and sell their…

Installation view, UNLEASHED+, HOTA Home of the Arts in partnership with Artisan. Photo: J Ruckli.
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'Dynamic and fresh': emerging makers unleashed on the Gold Coast

Artisan and HOTA team up to present an exhibition supporting Queensland's emerging craft and design practitioners.

Alison McDonald leads an artist talk at Artisan’s MADE 2026 symposium. Photo: Jade Ferguson / Visual Poets Society.
Features

'We can all feel it': Australia’s craft sector says it's time for a national making agenda

The MADE 2026 symposium asked what the craft sector could achieve if it started speaking as one national voice.

Keeping studio production genuine. Image: Silverkblack / Pexels.
Features

Studio tips for makers to blitz the end-of-year demand

How do you manage rising costs and still ramp up studio production for the end-of-year push… and its much-needed cash…

Installation view, Margaret Preston, The Ian Potter Centre: NGV Australia, Melbourne. Photo: Phoebe Powell.
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Margaret Preston retrospective offers a rethink for our times

Twenty years after Margaret Preston’s last retrospective, the NGV in Melbourne presents a compelling look at a complicated modernist and…

Billy Apple®, The Artist Has to Live Like Everybody Else, 1985/2009. Installation view, Sydney Contemporary 2026, Carriageworks. Photo: Gina Fairley. Courtesy: the artist, 1301SW and STARKWHITE.
Features

Sydney Contemporary 2026: standout booths, artists in demand and the energy on the ground

Did Sydney Contemporary’s 10th anniversary edition feel different, and what were the standout booths at Australasia’s largest art fair?

2026 Telstra National Aboriginal and Torres Strait Islander Art Awards ceremony, Darwin. Photo: Charlie Bliss.
Interviews

The NATSIAAs are breaking down the polarising divide between city and remote artists

The NATSIAAs are more than an art award. They're also an evolving model of what expanded cultural exchange can look…

Performance Contemporary, Sydney Contemporary 2025. Photo: Wes Nel Photography.
Industry News

Ten editions on, has the Sydney Contemporary art fair kept its big promises?

While sales have ebbed, signs of market maturity and growing engagement are recalibrating how we register success of Australia’s largest…

Detail of indicative artwork by Tim Silver, ahead of his piece for HEAD, Festival of Dangerous Ideas. Photo: Jek Maurer Photography. Courtesy: the artist.
Interviews

At the Festival of Dangerous Ideas, art refuses to stay safely on the wall

HEAP is an ephemeral commission engaging eight artists and 120 tonnes of soil for the Festival of Dangerous Ideas.

Ryan Presley with his winning Telstra Art Award painting, Our lifestyle of tranquillity undisturbed (2026), oil on canvas. Photo: Charlie Bliss.
Features

Ryan Presley lands $100,000 Telstra NATSIAA Art Award with a Renaissance-inspired artwork

What does this year’s Telstra NATSIAA prize list reveal about the future of Indigenous art?

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