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Performance review: Masterclass, Malthouse, RISING

A RISING show that really lives up to its name, this two-hander from Adrienne Truscott and Brokentalkers delivers on all…

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The cost of admission – are theatre ticket prices too high?

With rising living costs, are our major companies doing enough to ensure access for those on low incomes?

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Performance review: Buŋgul, Hamer Hall, RISING

Gurrumul YunupiÅ‹u’s album 'Djarimirri (Child of the Rainbow)' is translated for the stage by YolÅ‹u dancers and songmen with the…

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Theatre review: Do Not Go Gentle, Roslyn Packer Theatre

Patricia Cornelius' award-winning play about ageing and raging against the dying of the light is remounted in this large-scale production.

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Theatre review: Scenes From the Climate Era, Belvoir St Theatre

A play comprising 65 short scenes explores likely climate era possibilities.

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Theatre review: Climbers, fortyfivedownstairs

An ambitious production that doesn’t quite hit the mark, but showcases strong emerging talent in all cast and creative roles.

Things I Know To Be True, presented by Black Swan State Theatre Company. Actors pictured l – r: Caroline Brazier, Laura Shaw, Kaz Kane, Emma Jackson, Humphrey Bower and Will O’Mahony. Photo: Daniel J Grant.
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Theatre review: Things I Know To Be True, State Theatre Centre, WA

Devastating hidden edges of family relationships are brought to light in Black Swan State Theatre's staging of Andrew Bovell's play.

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Musical review: Mamma Mia!, Lyric Theatre

The feel-good extravaganza featuring ABBA hits returns for a tour across the country.

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Theatre review: Hymns for the Witching Hour, Brown's Mart Theatre, Darwin

A personal story that explores religion, identity and family legacy through narrative, dance and music.

'Duck Pond' rehearsal, Yaron Lifschitz and cast. Photo: Jade Ferguson.
Features

A world premiere from the ever-inventive and imaginative Circa

The leading performance company explores the art of ballet, classical music and fairy tales alongside the physicality of circus in…

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