Performing Arts
Review: The Bleeding Tree at Arts Centre Melbourne
Angus Cerini’s award-winning play is magnificent, horrific and remarkable.
Melbourne Festival to seek new artistic director for 2020
The current Artistic Director of Melbourne Festival, Jonathan Holloway, will step down from the role after completing his fourth festival…
Applause: latest success stories
National Works on Paper Prize shortlist revealed, Performing Arts WA Awards nominations, Mordant Family VR Commission announced, Australian Jazz Bell…
Why Captain Cook remains a contested national symbol
Last week's budget allocated $48.7M to commemorate the 250th anniversary of Cook's landing at Botany Bay. But controversy over Cook…
The flexible visual arts degree that responds to changes in your life
A visual arts program with dedicated exit points is giving students the opportunity to embrace their creative practice with the…
How to survive and thrive as an introvert in the arts
Do you prefer to listen more than you talk, deep conversation over small talk, solitude over parties – but sometimes…
Review: The Longest Minute at Jute Theatre
An exceptional performance was given by Chenoa Deemal as Jess Wright, the protagonist and narrator of this overall jovial yet…
Review: Troilus and Cressida at The Depot Theatre
Director Sean O’Riordan wasn’t wrong to describe Troilus and Cressida as a 'problem play'.
What sponsors want from the arts
Sponsorships are not philanthropic donations – they are business investments from which companies want a return. We ask major sponsors…
Review: Mother’s Ruin A Cabaret About Gin
Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.