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Review: Invisible Things, Brisbane Powerhouse

Alex Mizzen delivers a commanding circus dance theatre piece in Invisible Things, spellbinding the audience with her one-woman show.

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Review: Sydney Dance Company's New Breed 2018

The current season of Sydney Dance Company's New Breed features four exciting and challenging works.

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Review Pinchgut Opera: Hasse’s Artaserse

Four-time Grammy Award-nominated special guest star Vivica Genaux shines.

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Review: The Merry Widow, Adelaide Festival Centre

The merriest of widows promises a night of pure pleasure with State Opera of SA and the Adelaide Symphony Orchestra.

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Film Review: Creed II

With this follow-up to 2015’s Creed, the Rocky franchise delivers its first direct follow-up with heft and weight.

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ICYMI: A wrap of this week’s arts news

Architects appointed for Australian Museum redevelopment, NGA unveiled new Yayoi Kusama infinity room acquisition, a new cultural hub for Redfern…

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Review: Bottomless by Dan Lee, fortyfivedownstairs

Support our playwrights and go to see this original new work. It's original, lyrical, unsettling and yet gentle.

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Sale of Metro Arts dismays artists but offers hope for the future

Proceeds from the sale of the Brisbane organisation’s heritage-listed home will be invested in a fund designed to seed arts…

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Review: Staatskapelle Berlin – Daniel Barenboim

Over three nights, Sydney audiences were granted a grand experience of excellence in orchestral art as well as the mature…

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Review: Aspects of Love, Hayes Theatre

A darkly romantic evening of theatrical excellence.

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