Performing Arts
Creating Queensland’s future
The path forward for Queensland’s arts and cultural sector over the next 10 years and beyond is now open for…
British Council’s ambitious stride forward through inclusivity
A year in as Country Director, ArtsHub speaks with British Council’s Helen Salmon about this year’s wins, and a more…
What happens when a small community loses its arts coverage?
The decision by Hobart's The Mercury to axe all theatre, dance, and music criticism in its pages has alarmed the…
Review: David Williamson’s The Club, Belvoir
With an engrossing story, shrewd female perspectives, complex shed debrief and some excellent physical comedy, including moustache work, The Club…
Why art is indivisable from life
Art is not a luxurious extra, it's a necessity, writes Johanna Knox.
Why Ned Kelly’s story has enduring artistic appeal
He bestrides the Australian cultural landscape like a colossus; the iron-clad outlaw whose name is both revered and reviled.
Why an arts degree is now a must-have asset in the workplace
Once considered to be of low value, a Bachelor of Arts is now increasingly important to employers due to the…
Applause: latest funding announcements and awards
2018 Kate Challis RAKA Award recipient celebrated; 2018 Gloria Payten and Gloria Dawn Foundation Fellowship recipients revealed; longlist announced for…
Review: Evita, Arts Centre Melbourne
Broadway legend Hal Prince has recreated his original 1978 production of Tim Rice and Andrew Lloyd Webber’s Evita starring local…
Exit interview: Natalie Weir, Expressions Dance Company
After 10 years as Artistic Director of Expressions Dance Company, Natalie Weir reflects on her time at the company as…