Performing Arts
Review: Only the Penitent Shall Pass, Rosny Farm (TAS)
Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation.
Review: Almost, Maine, Meat Market Stables (VIC)
A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.
Review: The Return of Ulysses, Pinchgut Opera (NSW)
Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.
Review: Doppelgangster's Cold War, Prague Fringe Festival
It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all.
How embracing seasons can improve your work and self-care
Working in the arts comes with facing various ebbs and flows. Here’s how embracing the various seasons can diminish stress…
Review: The Irresistible, Dark Mofo (TAS)
The Irresistible is a stylish sci-fi thriller that has you on the edge of your seat.
Review: Murder on the Wireless, Ensemble Theatre (NSW)
The double bill dovetails nicely in a delightful evocation of the heyday of the radio play.
Get the edge on cultural leadership
Getting Cultural Leadership right is one of the most pressing global trends in the arts today. It’s also the theme…
Review: Things I Know To Be True, Belvoir Theatre (NSW)
An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia.
Review: Rafiq Bhatia, The Jazzlab/MIJF (VIC)
The visceral harmonies of jazz and drone metal come together in true fusion.