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Theatre Review: Small Metal Objects (Adelaide Festival)

Back to Back Theatre brings a street performance with podcasting techniques to transform a public display into an intimate experience.

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Circus Review: High Performance Packing Tape (Adelaide Festival)

Suspense and delight are always centre stage in this performance, demonstrating artistry that knows how to provoke its audience.

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Roadies in crisis: industry operating at just 4% pre-COVID levels

Over 20,000 live production crew, aka roadies, found themselves out of work a year ago when mass gatherings were banned.…

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Theatre Review: The Producers, Brisbane Powerhouse

One of Broadway’s funniest and most outrageous musicals is given star treatment at the Brisbane Powerhouse.

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Music Review: Diana Doherty and Streeton Trio

The old, the new, the obscure and the odd.

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Opera Review: Lorelei, Opera Queensland

Opera Queensland's Lorelei is an intoxicating mix of musical, opera, cabaret and burlesque.

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On the Move: Women in power appointments and departures

First Nations women appointed to key roles at both Melbourne Symphony Orchestra and Australian Museum, new company artist joins Australasian…

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Theatre Review: Medea (Adelaide Festival)

A livestreamed theatre production from Amsterdam that refreshes the ancient story.

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Dance Review: Structural Dependency by Brooke Leeder (Perth Festival)

An industrial, abstract dance work surprises with its intimate human touch.

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Theatre Review: Black Brass by Mararo Wangai (Perth Festival)

An intimate journey between memory and reality, where the personal meets the political, is a quiet triumph in contemporary storytelling.

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