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Exit Interview: Zara Stanhope, QAGOMA Curatorial Manager, Asian and Pacific Art
Serving artists and creating a safe and welcome space for creatives of all backgrounds to work were Zara Stanhope's greatest…
2020 in translation
Publishers offer a vibrant selection of works in translation. Here's a shortlist of some of the most intriguing translated books…
Theatre Review: Iranian Bauhaus, La Mama
Elnaz Sheshgelani recreates an Iranian performance tradition that transports and delights.
More RISE funding allocated in SA and NT
Northern Territory Dance Company and Slingsby Theatre Company are among the latest recipients of RISE funding, which provides targeted funding…
What the Craig McLachlan verdict says about respectful workplaces
McLachlan was accused of indecent assault in 2014 so the state’s previous laws and tests of consent had to be…
On the Move: Latest sector appointments and departures
Next Wave appoints new CEO, dancers promoted at WA Ballet, Australian Art Orchestra’s Executive Producer moves on, and more.
Book Review: Painting the Ancient Land of Australia by Philip Hughes
At the heart of Hughes' work there is a calm, a still point, drawing the viewer into a quiet space…
Music Review: Lone Hemispheres: The Solo Sessions
A specifically digital release, Ensemble Offspring's Lone Hemispheres showcases challenging contemporary works.
Words that drive us crazy in your media releases
From 'shining a light' to 'unique', 'thrilling' and 'punching above their weight', we identify the worst PR offences, with top…
20x20: Get em young and reap the long-term outcomes
Research has shown that over 60% of recent arts visitors first attended cultural organisations as children. We revisit this topic…