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Review: 52 Hertz at Blue Room Theatre
Tragedies of modern relationships reflected in the forlorn existence of a lost whale in this play by Terence Smith.
Review: The Great War at Adelaide Festival
The horrors of the Western Front are evoked in miniature and to haunting effect, in this uneven but technically striking…
Review: Thyestes at Adelaide Festival
Simon Stone’s breakthrough production now feels like something of a museum piece.
Review: Adelaide Biennial stumbles on curatorial tensions
How divided is our world? ArtsHub takes a look at the Adelaide Biennial of Australian Art and asks whether the…
Australia Council announces next artist for Venice Biennale
A new application process for the Venice Biennale results in a sound outcome for Australia's representative at this major art…
Is the art of feminism unfinished business?
A big question deserves a big response. Following International Women’s Day, we look at the conversation of gender equality today.
What we must learn from the Deadly Woman Blues fiasco
Deadly Woman Blues should not be forgotten. It remains a useful and instructive example, albeit unintentionally, of the authorial burdens…
Review: In The Club at Adelaide Festival
STCSA commissioned Patricia Cornelius to write about football and sexual misconduct. The result is a powerful piece of theatre.
Sydney summer blockbusters announced
From a South African photographer who documented apartheid to great masters from one of Europe’s most famous collections, this summer’s…
Vale Matthew Harding
With public artworks across most major Australian cities, Matthew Harding’s legacy will bring joy to generations to come.