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A scene from A Daylight Connection's 'A Nightime Travesty' at Malthouse Theatre for Asia TOPA 2025. Two Aboriginal women dressed as airline stewardesses stand on a blue-lit set as bloody rags fall from above. Behind them at stage right stands a sexy, shirtless, Aboriginal actor playing Death; at stage left, two musicians are visible.
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Theatre review: A Nightime Travesty, Malthouse Theatre, Asia TOPA 2025

A ferociously funny, controlled yet chaotic Blak vaudevillian comedy that pulls no punches and decapitates its prisoners.

An African Australian woman with long dark haired tied back, a Caucasian woman with a messy blonde bun, an Indian man with a black bun and a Caucasian man with short blond hair sit around a pit with sand in it drinking espresso martinis on stage set decorated like a Turkish restaurant. Never Have I Ever, Melbourne Theatre Company. Woke?
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Theatre review: Never Have I Ever, Fairfax Studio

Both witty and wily, Deborah Frances-White's play makes for a very entertaining night in the theatre.

Features

Asia TOPA 2025: revitalising the spirit of the Asia-Pacific in Melbourne

Back after a break, Asia TOPA offers a place 'where ideas are born and traditions reimagined'.

Five people wearing suits stand across a dark stage, with the large word SILENCE above their heads. Truth at Malthouse.
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Theatre review: Truth, Merlyn Theatre, Malthouse

Patricia Cornelius' latest play tells the story of the WikiLeaks founder who 'wanted to change the world'.

Career Advice

So you want my arts job: Librettist

If you possess humility, audacity, originality and passion, becoming a librettist may suit you, says playwright, director, dramaturg and librettist…

Stephanie Lake Company’s ‘The Chronicles’ is sure to be a highlight of Sydney Festival 2025 and indeed, the 2025 summer festival season generally. The photo shows five dancers of diverse cultural backgrounds holding hands and collectively leaning to the right, while in the fourground, and much more nrightly lit, a male-presenting dancer lies on their back on the stage, holding up a female-presenting dancer with one hand and one foot. Balance upon his raised extremities, the female-presenting dancer has her right leg and right arm raised in a snapshot of dynamic movement.
Features

2025 summer festival highlights for your arts diary: part 1

A hand-picked guide to some of the most intriguing cultural events on offer around the country in January.

Two men with heavy stage makeup. Siefgried and Roy
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Opera review: Siegfried & Roy: The Unauthorised Opera, Sydney Festival

Definitely camp. Definitely a folly. This new work delivers all of opera’s hallmarks with casual appeal.

A sequence from Tra Mi Dinh’s 'Somewhere between ten and fourteen', which features in Sydney Dance Company's 2025 season. The photo depicts four barefoot dancers in blue coveralls dancing on a blue-lit stage. The dancer on the far left has their legs spread, their right arm raised and their left arm extended horizontally; the dancer on the right, who is the focus of the focus, stands in a half-crouch, her arms extended to the right and her right foot bent so that the side of the foot rather than her sole is touching the stage.
Features

ArtsHub’s 2025 season guide to the performing arts

Our rolling guide to the 2025 season announcements you may have missed.

Two young women are dancing in 'Sauce". The lighting that falls on them is in tones of red. Sauce
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Theatre review: SAUCE, Smith's Alternative, Canberra

Two loners help each other through hurtful life experiences.

A graffitied mini van, has green paint on it and slogans extolling the virtues of the arts on the windows.
Opinions & Analysis

Opportunity costs: the problem with rationalising creative output – part three

In the final part of a three-part article, Rick Heath examines why the Australian arts industry is not valued or…

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