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Orpheus & Eurydice. Minimal white stage set featuring a cage, with acrobats and opera singers.
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Opera review: Orpheus & Eurydice, Sydney Festival

Far from detracting from the enjoyment, acrobats add to the complexities of this classic opera.

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Opera review: Galileo, Victorian Opera

A bold and epic new opera from Richard Mills that almost reaches its potential.

Siegfried. Lone man with sword on a red stage in front of huge image of glaring eyes.
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Opera review: Siegfried (The Ring Cycle), QPAC

'Siegfried' offers some of Wagner’s finest singing in an opera that has its flaws alongside its emotional highs.     

The Visitors. Image is three First Nations singers with face paint and a bare tree trunk, wearing dark, grey and brown robes.
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Opera review: The Visitors, Arts Centre Melbourne

Victorian Opera's adaptation of Jane Harrison's novel and play leads audiences to new ways of thinking about opera and Australia’s…

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Opera review: Idomeneo, Palais Theatre

A striking co-production that draws on Greek mythology to offer hope for a new world.

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Opera review: Melbourne, Cheremushki, Arts Centre Melbourne

An aggressively Melbourne (tote bag included) version of the Russian original opera.

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Opera review: Voss

Australia’s own ‘grand opera’ fills the stage for one night only thanks to State Opera South Australia and Victorian Opera.

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Opera review: The Turn of the Screw

Henry James's classic text is reconfigured into a haunting chamber opera in this new State Opera SA production.

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Long live opera thanks to digital library

A national digital library dedicated to opera is furthering the sector’s commitment to preserving the art form.

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Opera review: The Sopranos

An Opera Queensland commission that defies stereotypical representations of victimised women and offers bold and spirited alternatives.

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