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New Australian Books

Hurdy Gurdy. On the left is a book cover of a circus tent in the distance at night. On the right is an author shot of a middle aged Caucasian women with shoulder length white hair, black jumper and glasses.
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Book review: Hurdy Gurdy, Jenny Ackland

A dystopian Australia sees women's bodies policed and subjugated.

Nameless. On the left is a head and shoulders author shot of a middle aged Caucasian woman with a white top under a pinafore type dress. She has shoulder length greying hair cut in a bob with a fringe. On the right is a book cover with a black linocut image of a side on woman against a green backdrop.
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Book review: Nameless, Amanda Creely

War and its voiceless victims are the harrowing topics of this novel.

Heartsease. On the left is a head and shoulders author shot of a young Caucasian woman with long strawberry blonde hair and a blue top. She is standing in front of foliage. On the right is a bookcover featuring a group of brown flowers
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Book review: Heartsease, Kate Kruimink

Sisterly bonds prevail in the fog of grief.

Safe Haven. On the right is an author headshot, waist up of a woman of Indian appearance, all in black with arms folded, smiling and looking off the right. On the left is a book jacket in blue, with an illustration of a boat on the sea at night on the front.
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Book review: Safe Haven, Shankari Chandran

The Miles Franklin Award-winning author's new book tackles the politics of Australian detention centres.

Live Bait. On the left is an author shot of a grey-haired with grey/white stubble, white man in his 40s/50s sitting at a table outside in the city, with his arms crossed in front of him and wearing a blue suit jacket over a darker blue T shirt. On the right is a book cover of an angler standing in a rushing river with fishing rod out. We can only see from the chest down to the knee and he is wearing a utility belt with a pistol in it.
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Book review: Live Bait, Stephen Sewell

Can a novel succeed when it features a wilfully stupid protagonist?

Ordinary Human Love. On the left is a colour headshot of a white woman in her 30s/40s, with wavy dark shoulder length hair, parted in the middle and a V neck black top. The book cover on the right has a pinky/orange background and two lilac coloured statues with arms outstretched, one below the other reaching up as if they are about to kiss.
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Book review: Ordinary Human Love, Melissa Goode

A debut novel that surveys intimate relationships and the nature of desire.

The Changing Room. On the left a blocky colourful illustration of a window with open red drapes looking out on a starry moonlit sky above a blue mountain range. On the right a 30-something white woman slightly turned to the right, with tied back light brown hair, a green flowery dress and a denim jacket.
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Book review: The Changing Room, Belinda Cranston

A story of someone trying to come of age in a world of possibilities.

Loving My Lying, Dying, Cheating Husband. Image on left is a black and white author headshot of a 40-something white woman with a blonde fringed bob and glasses, and an open necked shirt, smiling at the camera. On the right is a book cover depicting a large blue expanse of the sea and a bird's eye view of a small boat with a white triangular wake coming from it.
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Book review: Loving My Lying, Dying, Cheating Husband, Kerstin Pilz

'Till death do us part' is put to the test in this heartbreaking memoir.

Model Minority Gone Rogue. Qin Qin. Image on left is an author shot from the waist up of a young woman of Chinese appearance wearing a grey top with lapels and glasses. She has shoulder length dark hair and her body is facing the left, with her head turned to smile at the camera. On the right is a green book cover of featuring a small Chinese girl holding a pink umbrella and wearing pink tights, a red jumper, green boots and a grey skirt. She is smiling at the camera.
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Book review: Model Minority Gone Rogue, Qin Qin 

A memoir that tracks what happens when a formerly dutiful child decides to pursue her own path.

No Church in the Wild. Murray Middleton. Image on the left is an author upper body shot of a white man in his 20s/30s sitting at a wooden table with his hands clasped on the table, and wearing a blue jumper. On the right is the book cover, which features a facade of a block of commission flats with the book's title laid over the balconies.
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Book review: No Church in the Wild, Murray Middleton

A complex and confronting story about migrant youth from the towers of Melbourne's inner west, their teachers and the local…

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