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Conductor Umberto Clerici is conducting musicians in foreground. Behind him are several performers on the ground in different poses.
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Music review: The Rite of Spring, Concert Hall, QPAC

Works that changed the course of modern music, alongside some bold reimagining, created a successful opening for Queensland Symphony Orchestra’s…

Caroline Lee, with brown hair in pony tail and wearing blue top, is tussling with Peter Houghton, a man with grey hair in a suit. Honour.
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Theatre review: Honour, Red Stitch Actors’ Theatre

An excellent production of a 30-year-old play, but it does feel a bit dated.

A man (Borja Maestre) and a woman (Sarah Peirse) are hugging. They are in spotlight. There is darkness around them.
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Theatre review: Song of First Desire, Belvoir St Theatre

A compelling play about the inheritance of fascism in Spain.

Rockstars on stage in outback music festival. Mundi Mundi Bash
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Missy Higgins, Hoodoo Gurus, The Angels, Kate Ceberano and more set to rock the Mundi Mundi Bash

The popular outback music festival is at near capacity, instilling confidence in live music events.

Gravity and Other Myths' 'The Mirror' at Gluttony, Adelaide Fringe 2025. Two circus performers stand onstage, dramatically lit; one is balanced on his stomach on the other performer's head.
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Performance reviews: Gravity and Other Myths’ The Mirror, Sawdust, The LadyBoys of Bangkok, Adelaide Fringe 2025

A playful children’s circus show, a slickly performed Thai drag show and the latest production from local powerhouse Gravity and…

A bare-chested man with black pants is holding onto a woman in white. There is a white railing behind them.
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Ballet review: Nijinsky, Regent Theatre

The Australian Ballet is in its element for John Neumeier's 'Nijinsky'.

A crowd scene of 'Candide'. The dancing cast is dressed in period costume. There is a faded caravan behind them.
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Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House

Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.

GRIT Productions' 'BITE' at The Garden of Unearthly Delights, Adelaide Fringe. A sex positive circus-burlesque-cabaret. The phto depicts a female-identitying performer pol-dancing, but the pole is untethered and the performer is using circus skills as as pole-dancing skills to create the scene.
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Cabaret review: Bite, The Garden of Unearthly Delights, Adelaide Fringe

A queer 'spiegeltent style' cabaret celebrating sex positivity in the face of growing homophobic hate globally.

Two women and five men inside a house. You can see a darkened sky outside.
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Theatre review: And Then There Were None, Comedy Theatre

The best selling crime novel of all time receives another stage adaptation.

An African Australian woman with long dark haired tied back, a Caucasian woman with a messy blonde bun, an Indian man with a black bun and a Caucasian man with short blond hair sit around a pit with sand in it drinking espresso martinis on stage set decorated like a Turkish restaurant. Never Have I Ever, Melbourne Theatre Company.
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Theatre review: Never Have I Ever, Fairfax Studio

Both witty and wily, Deborah Frances-White's play makes for a very entertaining night in the theatre.

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