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fortyfivedownstairs

Two men in suits, one lighting a cigarette for the other. Smokescreen
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Smokescreen review: smoke and mirrors theatre show in Melbourne

Smokescreen shows how tactics developed by the tobacco industry were used by the fossil fuel industry to delay action on…

A fair-skinned woman, wearing black shorts and a black waistcoat, stands in a constricting shroud of paper (perhaps representing paperwork) on a bare, industrial-looking stage. This is Andi Snelling in her solo show 'Happy-Go-Wrong' at fortyfivedownstairs.
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Theatre review: Happy-Go-Wrong, fortyfivedownstairs

This exploration of chronic illness fuelled existential angst doesn’t make the leap from fringe festival circuit to the fortyfivedownstairs stage.

An elderly man sitting on a bed. He's wearing a grey robe. The bed too is grey as is the background. The actor is Max Gillies, performing a scene from 'Endgames', a trio of short modernist plays or play extracts at Melbourne venue fortyfivedownstairs.
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Theatre review: Endgames, fortyfivedownstairs

Three short works from modernist playwrights Chekhov, Beckett and Hibberd.

Five schoolboys in white shirts gather around a water trough.
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Theatre review: Boys on the Verge of Tears, fortyfivedownstairs

An exploration of identity and masculinity from youth to adulthood.

A woman standing at a podium. Behind her is an American flag.
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Theatre review: POTUS, fortyfivedownstairs

A satirical farce with a conceit and style very similar to 'Veep' that can’t quite compare.

A transwoman, Bayley Turner, in a black dress is seated. Below her are scattered Barbie dolls on the ground. Thirty-Six
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Theatre reviews: Thirty-Six and Medium, midsumma festival

Two very different shows at midsumma festival.

In the production of 'Ilarun' a black woman in white, with a white turban, is sitting down wit h her arms apart. On the right is a tuft of plants.
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Theatre review: ILARUN: The Cutting Comb, fortyfivedownstairs

A story of decolonised power based on a 18th century Jamaican matriarch.

Six cast members of 'Rhinocerons' in elaborate costuming.
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Theatre review: Rhinoceros, fortyfivedownstairs

The second in the beast trilogy, 'Rhinoceros' is a rampaging success.

The stage is dark except for a spotlight shining over Nicci Wilks in the production of 'BAD BOY".
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Theatre review: BAD BOY, fortyfivedownstairs

A one-person show exploring toxic masculinity and domestic abuse.

'Hamlet's Jacob Colins-Levy, a young man with brown hair and a black singlet carrying a skull.
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Theatre review: Hamlet, fortyfivedownstairs

A few directorial choices let down this otherwise fine contemporary interpretation of 'Hamlet'.

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