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contemporary dance

Dancenorth archival costumes from the 1990 production 'Desert Magic'. L-R: Michael Smith, Sabine Crompton-Ward, Tiana Lung and Marlo Benjamin. Four dancers pose playfully in brightly coloured, abstract, skin-tight costumes from four decades ago.
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Dancenorth: 40 years of dancing on the shoulders of giants

Dancenorth Artistic Director reflects on four decades of contemporary dance-making in regional Queensland.

Columbian-Australian violinist Natalya Bing, a Queenstown resident, plays her instrument in front of a seven-metre-diameter reproduction of the moon as part of 'Earthshine' at The Unconformity, 2023.
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The Unconformity returns for 2025

Taking place in Queenstown on palawa Country, on lutruwita/Tasmania’s remote West Coast, The Unconformity has announced its October dates for…

contemporary dance: a dark stage with the faces and upper bodies of five dancers costumed in black. Their faces and arms standout against the black as they hold each other in a communal embrace.
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Dance review: GATHERING.1, Liberty Theatre, Perth

Is it a dance party or a mixed-bill dance show made for audience interaction? And does it matter? For most,…

A dancer with their back bent and arms slightly outstretched, looking towards the right hand side. They are framed behind a curtain on stage with a dome-like opening.
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Dance review: Tomorrow Makers 7, Dancenorth Australia

A varied yet captivating collection of six dance works.

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Dance review: Body Corp, Northcote Town Hall Arts Centre

The body and technology intertwine in this masterful dance work created and co-performed by Sarah Aiken.

Sebastian Geilings, Yilin Kong and Patrick O'Luanaigh from ADT's 'A Quiet Language'.
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Turning 60 in style: Australian Dance Theatre leaps from the stage to the gallery wall

AD Daniel Riley describes the birth of ADT and an accompanying exhibition documenting the company’s six decades of dance-making.

'Garry Starr: Classic Penguins' at The Garden of Unearthly Delights, Adelaide Fringe 2025. A photoshopped image of a fair-skinned man with curly black hair and a neat beard wearing an orange-coloured Elizabethan ruff. His arms from the elbows down, and his body from the waist down, have been photoshopped to appear like a penguin. He leans on his left flipper and sits on his left penguin hip, his orange penguin feet and right flipper raised.
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Performance reviews: Garry Starr: Classic Penguins and Thunderstuck: A Night of Classic Rock, Adelaide Fringe 2025

From brilliant, in-your-face clowning to contemporary dance performed to a virtuosic live violin score of rock classics, two fascinating but…

Larsen C: six dancers in metallic grey/black costumes pictured in synchronous movement bending sideways against a black backdrop.
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Dance review: Larsen C, State Theatre Centre of WA

A stunning collusion of minimalist movement and brilliant lighting design, this dance work heightens our awareness of the elemental forces…

A scene from Shaun Parker & Company's 'KING' depicting seven shirtless male dancers, some with fists raised threateningly, others pointing accusingly, at an eight dancer who lies prone and protesting on the stage.
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Dance-theatre critique of toxic masculinity, 'KING', invited to Belgrade Dance Festival

Shaun Parker and Company’s ‘KING’ tours to Serbia next month, with Australian triple-threat dancer, actor and singer-songwriter Keiynan Lonsdale now…

A sequence from Tra Mi Dinh’s 'Somewhere between ten and fourteen', which features in Sydney Dance Company's 2025 season. The photo depicts four barefoot dancers in blue coveralls dancing on a blue-lit stage. The dancer on the far left has their legs spread, their right arm raised and their left arm extended horizontally; the dancer on the right, who is the focus of the focus, stands in a half-crouch, her arms extended to the right and her right foot bent so that the side of the foot rather than her sole is touching the stage.
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ArtsHub’s 2025 season guide to the performing arts

Our rolling guide to the 2025 season announcements you may have missed.

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